Complete text -- "A Voice From the Past"
Posted Saturday 31 March 2007
A Voice From the Past
July 1, 2003, San Jose, California: I was at my desk in San Anselmo, but right then in San Jose, hundreds of my 800-numbers were being fitted into a seven-foot cabinet inside the switching room of a long distance company.It had been a very techno day; and to my shock I had just heard from my very techno friend Harvey, who died several years before.
Moving those telephone lines was the final step of the Bloggard Migration Strategy (BMS).
Why migrate? Marin County, where we lived, is perhaps the most expensive place in California. To buy the modest house we rent would cost over $700,000. In Montana or Northern California this house would cost perhaps $150,000. So we decided to move.
In preparation, I consolidated all my local voicemail and 800-number voicemail lines into one place. Because their machine-support will no longer require my personal touch, Adrienne and I are now free to relocate, because I can operate my voicemail office, and my megatar workshop, anywhere.
As I tested telephone lines, I found one I'd forgotten. Some years previously, shortly before he died, my techno friend Harvey Warnke obtained a voicemail from me.
Harvey was a unique spirit. Self-educated, he'd learned electronics working in the planetarium, then learned to design light shows. He worked on movies, too.
If you've seen the remake of Invasion of the Body-Snatchers, in one of the later scenes there is the miouw of a cat; that was Harvey's cat, whom he named Shi*ty Kitty.
If you saw the movie War Games, in the final war-room scene you saw the huge screens that show missiles launching all over the world; It was Harvey who made those huge screens with their flashing images.
Long ago, he and I traded a project. He designed relays and sensors for the Line Seizer device I built for Network Answering Service, and I in turn programmed his Counter Intelligence device, which counted frames of film on a film-editing table for splicing movies. It was a grand time. Harvey was a brilliant engineer, who drove a turbo-charged motorcycle at vast speeds. He was always laughing, always fun.
His death came suddenly. He'd contracted some kind of virus, and the virus, invading his heart, made his heart very large and very weak. And then one day, his heart stopped.
At the time, I couldn't bring myself to delete the voice mailbox with the recording of his voice. I forgot it was there, until now.
Sitting there at my desk in San Anselmo, calling into the machine, suddenly I hear my friend talking. His voice has survived the years and the equipment changes. He promises to return calls, but he will not.
His voice remains, in the machine.
And you know what?
I still can't erase it.
Comments
Doug McKechnie wrote:
I knew Harvey in those Planitarium Days.
The Hanson Planitarium was in the original Salt Lake City Library, and I had met Kenvin Lyman and Richard Taylor, who had a keyboard controled lightshow called Rainbow Jam. I met them at The Family Dog on the Great Highway in 1969. Harvey was their techie, brilliant and funny and mischevious.
Rainbow Jam was a pace-setter for light artists and later when Richard Taylor went to LA and worked at Bob Able Studios the techniques they developed lead directly to the first computer graphics and painting with light.
Kenvin and Richard had a pin-registered grid of slide projectors with original art and motorized color wheels all controlled from a keyboard that Harvey had built. No one had ever seen anything like it. I was performing with my Moog synthesizer with them that evening along with Sandy Bull and Big Mama Thornton.
Rainbow Jam and I fell in love with each other and the following January we loaded up the synthsizer in a van and with Bruce Hatch, and San Francisco Radical Laboratory crew, took off for Salt Lake City. We were the toast of the town with lines around the block to see the show. Very heady times.
I got to know Harvey and several years later he moved to the Bay Area. When Stephen Hill of Music From The Hearts of Space fame, David Perazzo and myself revived Jordan Belson's Vortex for the Morrison Planitarium in 1976, it was Harvey who designed a dual quadraphonic panning device to move the sounds around the dome of the planitarium.
The Vortex revival was the last real lightshow to be done at the Morrison as Lazarium came in that fall and stayed for 15 years. Stephen, David and I took Vortex to Canada that winter and had standing Ovations at the MacMillian Planitarium in Vancouver for a month. Harvey didn't make the trip with us but his genius was there in the Quad Box.
Doug McKechnie
The Hanson Planitarium was in the original Salt Lake City Library, and I had met Kenvin Lyman and Richard Taylor, who had a keyboard controled lightshow called Rainbow Jam. I met them at The Family Dog on the Great Highway in 1969. Harvey was their techie, brilliant and funny and mischevious.
Rainbow Jam was a pace-setter for light artists and later when Richard Taylor went to LA and worked at Bob Able Studios the techniques they developed lead directly to the first computer graphics and painting with light.
Kenvin and Richard had a pin-registered grid of slide projectors with original art and motorized color wheels all controlled from a keyboard that Harvey had built. No one had ever seen anything like it. I was performing with my Moog synthesizer with them that evening along with Sandy Bull and Big Mama Thornton.
Rainbow Jam and I fell in love with each other and the following January we loaded up the synthsizer in a van and with Bruce Hatch, and San Francisco Radical Laboratory crew, took off for Salt Lake City. We were the toast of the town with lines around the block to see the show. Very heady times.
I got to know Harvey and several years later he moved to the Bay Area. When Stephen Hill of Music From The Hearts of Space fame, David Perazzo and myself revived Jordan Belson's Vortex for the Morrison Planitarium in 1976, it was Harvey who designed a dual quadraphonic panning device to move the sounds around the dome of the planitarium.
The Vortex revival was the last real lightshow to be done at the Morrison as Lazarium came in that fall and stayed for 15 years. Stephen, David and I took Vortex to Canada that winter and had standing Ovations at the MacMillian Planitarium in Vancouver for a month. Harvey didn't make the trip with us but his genius was there in the Quad Box.
Doug McKechnie
08/11/04 23:14:19
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